| Year |
A
|
B
|
C
|
D
|
| 1545 |
Madrigals
were used as invisible intermedi from before 1545 in plays. |
|
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| 1546 |
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| 1547 |
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| 1548 |
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| 1549 |
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| 1550 |
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| 1551 |
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| 1552 |
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| 1553 |
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| 1554 |
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| 1555 |
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| 1556 |
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| 1557 |
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| 1558 |
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| 1559 |
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| 1560 |
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| 1561 |
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| 1562 |
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| 1563 |
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| 1564 |
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| 1565 |
|
At
the wedding of Giovanna of Austria and Francesco Maria
de' Medici in Florence, there is a description of the
comic music used for Intermedi [between acts of a scripted
play]. - Grazzini |
|
|
| 1566 |
|
|
Il
Canto de sogni, Mascherata della Bufole, and several others
performed in Florence. |
|
| 1567 |
|
|
|
|
| 1568 |
In
the wedding in Trausnitz, Orlando di Lasso played the
lute and sang a lament. The first intermezzo was five
violas and five voices. The second intermezzo was four
voices, two lutes, a mandolin, pipes, and a bass viol
da gamba. |
|
|
|
| 1569 |
|
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|
| 1570 |
|
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| 1571 |
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| 1572 |
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| 1573 |
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| 1574 |
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| 1575 |
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| 1576 |
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| 1577 |
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| 1578 |
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| 1579 |
|
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| 1580 |
|
|
New
troupe in Ferrara has youths that dance saltare honestly,
and women sang pleasingly to the lute. |
|
| 1581 |
|
Pedrolino
dances the Canario in Venice, about the time the dance
is first described. |
|
|
| 1582 |
|
|
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|
| 1583 |
|
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| 1584 |
|
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| 1585 |
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| 1586 |
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| 1587 |
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| 1588 |
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| 1589 |
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| 1590 |
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| 1591 |
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| 1592 |
|
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| 1593 |
The
account books of Mantua list paymnt for 4 trombones, 5
violins, 3 tambourines, and a number of piffari and bombarderi |
|
|
|
| 1594 |
|
A
priest is described as dancing a Canario dance in the
style of Pedrolino |
|
|
| 1595 |
|
|
Francesco
sends some Burlesque compositions to Vincenzo Gonzaga. |
Claudio
Monteverdi and five musicians are in Vincenzo Gonzaga's
Entourage as they march to fight the Turks. |
| 1596 |
|
|
|
|
| 1597 |
|
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|
| 1598 |
Mantua,
an engineer has looked at the non-working machinery for
the upcoming intermedi and requests more help. |
|
|
|
| 1599 |
|
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|
| 1600 |
|
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| 1601 |
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| 1602 |
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| 1603 |
|
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| 1604 |
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|
