i Sebastiani - Music
 
Commedia Music

We are interested in music as it relates to 16th century Commedia. That is, we are interested but have only modest personal knowledge. What we do know is that Commedia was presented in a variety of different venues, and that later period performances happened in theatres with good production capabilities for wealthy people. Early period work was done, more often than not, in a noisy market place. We see drawings of people with guitars, and sometimes other instruments. In this section we include links and discussion of period music associated with Commedia dell' Arte, both before and during the shows.

i Guillari di Piazza do a wonderful job with very compelling music, though clearly they are following a later tradition than we are. We cannot use their brilliant Tarantella style music. Some researchers have pointed to Madrigal, Canaria, and Moresca music as being among the forms most consistant with our period

 

il Fischiettando [traditional sicillian tarantella] by i Giullari di Piazza Track 11 from their album Earth, Sun & Moon 2:27. I heard them do this live at their Commedia show. I was convinced this was the right sound for opening a show. After some time to let it simmer, I still think its a good place to start.

From Paul Castagno's 1994 book _The Early Commedia dell'Arte 1550-1621 - The Mannerist Context_ page 101, talking about the music played by Brighella [he references Thomas Heck's Apr 1992 paper "Musical examples from the scenarii"]:

"... there are numerous references to what types of music might have been played on the guitars of Brighella or Scapino. These would have ranged from the popular sarabonde to the ciaccona, or included examples from the Mannerist madrigali, in which music was set to imitazione delle parole (that is, without traditional measures, or verse/chorus formats)."