i Sebastiani - Mask Making
 
Mask Making

We have some experience making masks but we'd be loath to call ourselves experts.

 
The Process we followed
Get a plaster negative of the players face
Produce a clay positive of the players face
Add clay to make the face look like the character
Slice the clay the long way on the face to make 3/4 inch wide slices
Cut 3/4 inch wide planks with a band [or jig] saw to make them match the corresponding clay slice
Trim the bevels on the wood
Glue the wooden slabs together
Do finishing work on the wooden model to make the right surface [with chisels and/or grinders]
Take a piece of 5 oz vegetable tanned leather and try it on the form, and then cut out a slightly generous piece to make the mask
Skive the leather to get the roughness off the back of it [expert mask makers know where they want the leather to be thin for delicate shaping, we didn't]
Soak the leather in hot water for about five minutes [until the air bubbles stop coming out of it]
Press the leather onto/into the form and tack it to the back [we used a wooden 'thumb' for this step]
While the leather is still very wet, hammer it into place [and soften it] with the tip of a cow's horn. Cut slits for the eyes and nostrils.
Re-tack the mask on the back if necessary. Smooth the surface with the wooden thumb. Let it dry overnight on the form
Mend the seam at the tip of the nose [for the Dottore mask, re-inforce the bridge of the nose with wire]
Make the edges by trimming, skiving, and folding back the edge material. Possibly include a wire to keep the shape better
Dye the leather and apply protective coating. Add eyebrows, facial hair, and ties for the back
Do any required painting
Note: in later work, we opted to create a plaster master form to work on, as it required many fewer hours of labor
 
     
Jennifer Erin Book's mask-making page [paper-mache]

 

The mask at the top of the page was made by Antonio Fava, and pictured on his web-page.