i Sebastiani - Characters - Agnan
 

Agnan

 

Jim Letchworth [Oct 4, 2002] from the Commediadellarte Yahoo Group

First, I do not know who Agnan is or was. Thank you for pointing him out and raising the question. I pulled out my Ducharte and have a few ideas. If anyone has a better command of French than I, there may be more clues revealed in the accompaning text. First, I agree has the appearence of a Dottore in robes, but without a mask. He is clearly a leacherous (who isn't) man, middleaged. He is duped into ravishing a man disguised as a woman, Julian le debauche (Julian the debauched? a transvestite clearly). Agnan seems to bear tools of trade on his person, a quill behind his ear, I think, a bottle of ink and a sack of sand for blotting the ink, I would guess. This would make him a scribe or notary, a local minor official. Maurice Sand illustrates a Notary in the mid 19th century. This would give Agnan some social position by virtue of his office and letters over the illiterate servants but below Dottore, the Professor, Pantalone, the rich merchant and their literate children, the innamoratti. The need for notes, deeds, wills letters etc. would give him a place in most any senario, that added to his ability to read someone else's note (for a fee).

Because he only appears in the beginning of the Recueil Fossard, as a prologue, dumbshow or most probably an opening act to the commedia, I suggest he is part of a seperate company fulling the role of the "old man" such as Dottore or Pantalone. The plot seems to go along these lines:
Scene 1: Agnan, the virtuous citizen happily plays traditional music on his flute but notes a young (and different from the one who appears later) Harlequin traveling peddlar flirting sucessfully with the girls at the water well.
Scene 2: Emboldened, Agnan, the magistrate makes a play for his attractive neighbor, Peronne, apparently trying to use his civil position as leverage but he is restrained by his goodwife, Guillemette.
Scene 3: Peronne hires (note the coins changing hands) Julien the Debauched and his assitant Mathieu Bouclon in mask & phallus.
Scene 4: Mathieu immitates a philossopher (ie magician) and conjures up Julien disguised as a woman for the delighted Agnan.
Scene 5: As Agnan ravishes the resisting Julian, he is surprised and attacked by his long-suffering goodwife accompanied by the servant, Mathieu with slapsticks or maybe just regular sticks. Justice is served. We can guess that Agnan repents his folly (at least for a while).

Jay Cross [Oct 4 2002]

Agnan is probably Agnan Sarat, who's troupe was playing in Paris in 1578. I agree with most of Jim's observations above, though I think the Receuil Fossard described several commedia troupes over a period of a few years. I say this based on impressions, not certainty. I too will have to get a full copy and struggle through the French.